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Furthermore, there is just something off about the combat.
You see, the levels are very haphazardly designed and there aren’t the kind of defined paths that were there previously which makes crossing the maps something beyond a chore – approaching a punishment. First of all, you have the fact that the driving – excellently handled, previously – is kind of a disaster. There are several niggling complaints I have about Borderlands: The Pre-Sequel. I also know that the blossom has fallen off the Gearbox flower thanks to the Aliens: Colonial Marines fiasco (I also know that ‘fiasco’ is too kind a term), but Borderlands is Gearbox’s franchise and I think it shows when they don’t handle primary development. Look, I know that The Pre-Sequel was technically developed by 2K Australia and not Gearbox. If only Borderlands: The Pre-Sequel’s flaws stopped at Claptrap’s skill trees. I had much more fun playing as the other characters whose skill trees were much more traditional.
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I HATED constantly and randomly having to switch weapons to take full advantage my skills. It’s further aggravated by the later skills in that tree that add shield, health, and melee subroutines that reduce gun damage. Another thing is that one whole skill tree is rendered unusable, in my opinion, by the inclusion of subroutines (because computers) that buff one weapon type at the expense of all the others. Yes, I know that that has always been part of Borderlands, but with Claptrap is basically every skill. Also, many of the abilities on his tree skills buff certain aspects to the detriment of others. Why is Claptrap awful as a playable character in Borderlands: The Pre-Sequel? Well, one of his skill trees is devoted to co-op, and as a mainly singleplayer-focused gamer, that annoys me to no end. The last time I was that disappointed was when I got mercury poisoning from the sushi buffet I shut down in Ames, Iowa that time. The bad news is that Claptrap, the only character I really cared about playing, is terrible in both dialogue and skills.
Like the previous games, each character has a unique personality, action skill, and skill tree set. You also have a pre-Borderlands 2 robot boss, Wilhelm Nisha the Lawbringer and everyone’s favorite stupid robot with RADHD (Robot Attentive Doofus Hyperstupidity Disorder), Claptrap. From a playable standpoint, you have Athena, whom you may remember from the original Borderlands’s General Knoxx DLC. All the usual characters make a return appearance. Set between Borderlands and Borderlands 2, The Pre-Sequel tells the tale of Handsome Jack and the lone survivor of the aforementioned moon rocket high jacking and their attempts to retake Hyperion Station from the Dahl-funded Lost Legion. It’s maybe the Twilight fan fiction of Borderlands 2 reviews.īorderlands: The Pre-Sequel, on the other hand is new and maybe not everyone has yet played it so I’ll break it down like I would in a normal review. Since Borderlands 2 is a few years old at this point, I won’t rehash my review of that game, but you should definitely seek it out and read it if you haven’t already. And, like I said, you get all the DLC missions and playable characters like Handsome Jack, and Claptrap.
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The close texture detail on the guns and items isn’t nearly as strong for Borderlands 2, but the upgrade is noticeable. But both games benefit greatly from the increased draw distance and greater particle effects. The Pre-Sequel definitely wins the graphical battle because it almost looks like a Borderlands game developed on current-gen hardware first and not last-gen. Both games are intact and exactly as they appeared previously.
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As a total package, The Handsome Collection is very hard not to recommend if you’re a fan of the series and upgraded to a PS4 or Xbox One early on and therefore chose not to bother with the Pre-Sequel. Unfortunately, that’s really the closest The Pre-Sequel gets to Borderlands and Borderlands 2 quality.Īnyway, Borderlands: The Handsome Collection takes Borderlands 2, Borderlands: The Pre-Sequel, and all of their associated DLC and gives them a current-gen hardware graphical upgrade, providing players with hundreds of hours of solid singleplayer or co-op gunplay. Borderlands: The Pre-Sequel’s rail-launched moon rocket high jacking set to Black Dragon, by the Vines nearly eclipses it - BOOM! PUN ABSOLUTELY INTENDED! Borderlands 2’s train battle set to the Heavy’s brilliant Short Change Hero is one my favorite gaming moments of the last ten years. It also established the template of a skag getting hit by a vehicle followed by a big rock music drop. The original may have only opened on a bus, but it set the tone for the kind of lighthearted space western the game was. Borderlands, as a franchise, has certainly nailed the art of the opening cutscene.
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